Here's my Emerson essay. Prompt: use Frederic Edwin Church's painting Heart of the Andes as a jumping board for Emerson's thoughts on nature in his essay "Nature" or other essays. I received a B+ on the paper, since my paper was under the page limit.
My abstract: Both Emerson and Church show that nature is but an illusion to an average man. An educated man, one that is skilled in lessening Reason to see Beauty, will see images of nature whether in nature or on canvas, and in his own mind will translate these sights into the divinity that nature encapsulates.
My essay:
Finding Grace
Emerson’s man may not find truth in nature, but with open eyes he may see the landscape of God’s grace. Emerson’s essay “Nature” is littered with references to inaccessible points of beauty—inaccessible not for lack of availability, but impermeable due to an educated man’s overly complex Reason. A single innocent child, one without developed reason in his head, has a better chance at seeing the grace in nature than a mob of men. However, Emerson argues that a truly educated man with an open mind to may find nature’s “kindred impression”. A truly educated man will translate the images of beauty and find not their secrets, but their divine grace.
Emerson’s man may not find truth in nature, but with open eyes he may see the landscape of God’s grace. Emerson’s essay “Nature” is littered with references to inaccessible points of beauty—inaccessible not for lack of availability, but impermeable due to an educated man’s overly complex Reason. A single innocent child, one without developed reason in his head, has a better chance at seeing the grace in nature than a mob of men. However, Emerson argues that a truly educated man with an open mind to may find nature’s “kindred impression”. A truly educated man will translate the images of beauty and find not their secrets, but their divine grace.
Emerson is dismissive of most men, for, “To speak truly, few adult persons can see nature (5).” On the contrary, Federic Edwin Church ushered in thousands of these adult persons to see his version of nature. The Heart of the Andes was the most widely seen painting in Church’s era, and it’s no accident that his painting depicts a far away land while it was stationed squarely in America. Church offers up a hyperreal depiction of nature, one that audiences could view in a dark room and be transported in their minds to a land where fairy tales might reside. His vision of nature is a nature that few of the viewers would ever attempt to travel in person to see, though of course, his depiction of nature is not of a real singular place. This exhibit of nature was a commodity; a chance to travel without leaving one’s neighborhood. Emerson might have believe that these thousands of customers were not truly experiencing nature for what nature can be for, “Nature never [becomes] a toy to a wise spirit (5)”. An Emersonian educated viewer of The Heart of The Andes would not see it as a representation of land and trees and lakes, but would experience the painting with a sort of reverence of nature’s divine spirit.